{"id":150,"date":"2017-08-24T22:17:00","date_gmt":"2017-08-24T22:17:00","guid":{"rendered":"https:\/\/pachakamani.com\/podcast\/2017\/08\/24\/ep-06-entre-los-caminos-del-bambu-y-la-cana-hueca-desde-la-diversidad-biologica-acustica-hasta-su-uso-musical-y-no-musical\/"},"modified":"2023-05-28T07:56:08","modified_gmt":"2023-05-28T11:56:08","slug":"ep-06-bambu-y-la-cana-hueca-diversidad-biologica-acustica-su-uso-musical","status":"publish","type":"post","link":"https:\/\/pachakamani.com\/podcast\/ep-06-bambu-y-la-cana-hueca-diversidad-biologica-acustica-su-uso-musical\/","title":{"rendered":"Ep # 06. Entre los caminos del bamb\u00fa y la ca\u00f1a hueca. Desde la diversidad biol\u00f3gica ac\u00fastica hasta su uso musical y no musical"},"content":{"rendered":"\n<h4 class=\"wp-block-heading\">Mesa Redonda y Programa de Radio 02-2T<br>Reuni\u00f3n Anual de Etnolog\u00eda&nbsp;<br>Museo Nacional de Etnograf\u00eda y Folklore (MUSEF)<br>La Paz, Bolivia<\/h4>\n\n\n\n<iframe src=\"https:\/\/embed.acast.com\/5ec1a7390565f024568322ca\/5ec1a753505ab7261e85e18c\" frameBorder=\"0\" width=\"100%\" height=\"190px\"><\/iframe>\n\n\n\n<p>Para los proponentes de esta mesa redonda, el entorno natural y sus diferentes formas de relaci\u00f3n con el ser humano, es el punto de partida para las reflexiones que la Reuni\u00f3n Anual de Etnolog\u00eda propone este a\u00f1o. Si bien, el seminario 3 denominado \u201cUso: la vida social de los objetos de madera y cester\u00eda\u201d se plantea como el espacio central de debate; pensamos que es necesario mantener una correlaci\u00f3n entre diferentes enfoques a fin de aproximarnos en las trayectorias que atraviesa \u201cel objeto\u201d, desde su estado-diverso natural, pasando por sus formas de uso antr\u00f3pico, hasta sus posibles riesgos de desaparici\u00f3n. Todo ello, pone en cuesti\u00f3n el grado de \u201cconvivencia\u201d o \u201cutilizaci\u00f3n\u201d que tiene el mundo vegetal para las sociedades humanas hoy en d\u00eda.<\/p>\n\n\n\n<p>En este panorama tan extenso, las sonoridades producidas por las sociedades y expresadas en sus m\u00fasicas pueden ser entendidas como la expresi\u00f3n m\u00e1xima de la racionalidad y creatividad de ser humano. Para nosotros, \u00e9sta idea sobre la m\u00fasica, impuesta por la modernidad, es la que debe ser cuestionada. Ya que, de todas las artes, la m\u00fasica se debe a la relaci\u00f3n de las personas con su entorno, no s\u00f3lo como una forma de representaci\u00f3n, ni una manera de evocarla constantemente, sino como una muestra de la dependencia de la m\u00fasica sobre el mundo vegetal. Por ello, esta mesa plantea una aproximaci\u00f3n a dicho mundo a partir del an\u00e1lisis, de los usos musicales y no musicales de los bamb\u00faes y las ca\u00f1a huecas.<\/p>\n\n\n\n<figure class=\"wp-block-image alignright size-large is-resized\"><img fetchpriority=\"high\" decoding=\"async\" src=\"https:\/\/pachakamani.com\/podcast\/wp-content\/uploads\/sites\/3\/2020\/07\/Afiche-Mesa-Bambu-RAE-2017-728x1024.jpg\" alt=\"\" class=\"wp-image-44\" width=\"485\" height=\"682\" srcset=\"https:\/\/pachakamani.com\/podcast\/wp-content\/uploads\/sites\/3\/2020\/07\/Afiche-Mesa-Bambu-RAE-2017-728x1024.jpg 728w, https:\/\/pachakamani.com\/podcast\/wp-content\/uploads\/sites\/3\/2020\/07\/Afiche-Mesa-Bambu-RAE-2017-213x300.jpg 213w, https:\/\/pachakamani.com\/podcast\/wp-content\/uploads\/sites\/3\/2020\/07\/Afiche-Mesa-Bambu-RAE-2017-768x1080.jpg 768w, https:\/\/pachakamani.com\/podcast\/wp-content\/uploads\/sites\/3\/2020\/07\/Afiche-Mesa-Bambu-RAE-2017-1092x1536.jpg 1092w, https:\/\/pachakamani.com\/podcast\/wp-content\/uploads\/sites\/3\/2020\/07\/Afiche-Mesa-Bambu-RAE-2017.jpg 1138w\" sizes=\"(max-width: 485px) 100vw, 485px\" \/><figcaption class=\"wp-element-caption\">Afiche del evento<\/figcaption><\/figure>\n\n\n\n<p>La organolog\u00eda boliviana de los instrumentos musicales aer\u00f3fonos construidos con fibras naturales, tiene al bamb\u00fa y la ca\u00f1a hueca como representantes principales del mundo vegetal. De la diversidad de las especies de los bamb\u00faes y las ca\u00f1a huecas, tambi\u00e9n se desprende una de las m\u00e1s diversas formas musicales en el mundo. Desde hace mucho tiempo maestros constructores de distintas comunidades, tanto del Altiplano como de la Amazon\u00eda, se abastecieron en diferentes formas de \u00e9sta \u201cmateria prima\u201d para la construcci\u00f3n de dichos instrumentos musicales.<\/p>\n\n\n\n<p>En el transcurso del tiempo las formas de abastecimiento de la materia prima cambiaron de manera significativa en diferentes lugares del pa\u00eds, desde un abastecimiento a comunidades rurales hasta la creaci\u00f3n de un mercado informal de comercializaci\u00f3n con diversos actores involucrados: Los habitantes de los lugares c\u00e1lidos, de donde proviene el material; los actores involucrados en su extracci\u00f3n; los intermediarios y revendedores o los maestros constructores de instrumentos musicales (luriris en aymara). Incluso, hace unas d\u00e9cadas los instrumentos musicales son comercializados al exterior del pa\u00eds generando otras din\u00e1micas socio-econ\u00f3micas.<br>En los \u00faltimos a\u00f1os el Estado Plurinacional de Bolivia foment\u00f3 pol\u00edticas p\u00fablicas sobre el desarrollo \u201cartesanal\u201d y el uso sustentable de la materia prima para el trabajo artesanal. Dentro de este contexto, algunos temas con mucha importancia surgen vinculados a la especializaci\u00f3n de la construcci\u00f3n de instrumentos musicales aer\u00f3fonos durante el siglo XX, la fluctuaci\u00f3n del suministro de los bamb\u00faes para la construcci\u00f3n en ciudades como La Paz, los circuitos de venta de los instrumentos musicales por parte de los maestros constructores y los contextos diversos de uso de dichos instrumentos.<\/p>\n\n\n\n<p>En este marco general, la motivaci\u00f3n para la conformaci\u00f3n de \u00e9sta mesa redonda es la siguiente:<br>Hasta hoy en d\u00eda no contamos con un estudio etnobot\u00e1nico profundo sobre las diversas especies dentro de la familia de los bamb\u00faes y las ca\u00f1a huecas aptas para la elaboraci\u00f3n de instrumentos musicales aer\u00f3fonos. Un factor principal, en este sentido, son las propiedades y caracter\u00edsticas ac\u00fasticas de las especies usadas.<\/p>\n\n\n\n<p>Es importante para la perduraci\u00f3n de las tradiciones de construcci\u00f3n de instrumentos musicales reflexionar sobre la importancia de la materia prima y su manejo sustentable e integral. En otras palabras, debatir sobre la dimensi\u00f3n ecol\u00f3gica del trabajo artesanal, es tan fundamental como una visi\u00f3n integral del desarrollo de la actividad econ\u00f3mica. Por lo tanto, vale la pena reflexionar sobre propuestas de conservaci\u00f3n de dicho material a niveles locales, municipales, departamentales e incluso nacionales.<\/p>\n\n\n\n<p>Con la constante reproducci\u00f3n e invenci\u00f3n por parte de los maestros constructores de instrumentos musicales a base de bamb\u00fa y ca\u00f1ahueca se vincula una din\u00e1mica musical que parte de las formas de su elaboraci\u00f3n. Por ello, es importante reflexionar sobre los procesos de especializaci\u00f3n dentro de la elaboraci\u00f3n de instrumentos musicales.<\/p>\n\n\n\n<p>El uso de los instrumentos musicales fabricadas de bamb\u00fa y ca\u00f1ahueca, tanto en espacios rurales como urbanos, da paso a la interpretaci\u00f3n sobre la significancia social que tiene la m\u00fasica en diferentes contextos.<\/p>\n\n\n\n<figure class=\"wp-block-image aligncenter size-large is-resized\"><img decoding=\"async\" src=\"https:\/\/pachakamani.com\/podcast\/wp-content\/uploads\/sites\/3\/2017\/08\/20374523_1552008414830957_6977211749953251622_n.jpg\" alt=\"\" class=\"wp-image-320\" width=\"486\" height=\"343\" srcset=\"https:\/\/pachakamani.com\/podcast\/wp-content\/uploads\/sites\/3\/2017\/08\/20374523_1552008414830957_6977211749953251622_n.jpg 650w, https:\/\/pachakamani.com\/podcast\/wp-content\/uploads\/sites\/3\/2017\/08\/20374523_1552008414830957_6977211749953251622_n-300x212.jpg 300w\" sizes=\"(max-width: 486px) 100vw, 486px\" \/><\/figure>\n\n\n\n<p>PROGRAMA MESA REDONDA&nbsp;<br>Entre los caminos del bamb\u00fa y la ca\u00f1ahueca.&nbsp;<br>Desde la diversidad biol\u00f3gica ac\u00fastica hasta su uso musical y no musical<br>Viernes 25 de agosto 2017 \u2013 Entre 15:00 a 18:30 horas<\/p>\n\n\n\n<ol class=\"wp-block-list\">\n<li>David \u201cKirki\u201d Al\u00ed, Comunicador, m\u00fasico y etnomusic\u00f3logo. Tema: \u201cCuantificaci\u00f3n de instrumentos musicales de bamb\u00fa y ca\u00f1ahueca\u201d.<\/li>\n\n\n\n<li>Ignacio Quispe, Maestro luriri de Walata Grande. Tema: \u201cExperiencias de organizaci\u00f3n local en el abastecimiento (materia prima), construcci\u00f3n y venta de instrumentos musicales\u201d<\/li>\n\n\n\n<li>Dami\u00e1n Vaca C\u00e9spedes, m\u00fasico e investigador, Santa Cruz de la Sierra. Tema: \u201cLas tacuaras en el panorama musical organol\u00f3gico de tierras bajas de Bolivia\u201d.<\/li>\n\n\n\n<li>Gloria Villarroel S. y Richard M\u00fajica A., antrop\u00f3logos e investigadores integrantes del Colectivo PachaKamani, La Paz. Tema: \u201cMusicalidades presentes y materiales ausentes: Balance de los estudios sobre m\u00fasica, ca\u00f1ahuecas y bamb\u00faes en Bolivia, primera aproximaci\u00f3n\u201d.<\/li>\n\n\n\n<li>Sebastian Hachmeyer, Soci\u00f3logo Ambiental\/Ec\u00f3logo Humano\/Candidato de Doctorado en Etnom\u00fasicolog\u00eda, Departamento de M\u00fasica, Royal Holloway Universidad de Lond<br>res, Gran Breta\u00f1a.<br>Tema 1: \u201cBiodiversidad y Fitogeograf\u00eda de los Bamb\u00faes en Bolivia: Una Aproximaci\u00f3n Etnobot\u00e1nica a la Construcci\u00f3n de Aer\u00f3fonos Aut\u00f3ctonos en el Altiplano pace\u00f1o.\u201d<br>Tema 2: \u201c\u2019Los cortan y queman si fueran hierbas malas\u2019: Una Ecolog\u00eda Pol\u00edtica de la Construcci\u00f3n de Instrumentos Musicales Aer\u00f3fonos Aut\u00f3ctonos en el Altiplano Pace\u00f1o.\u201d<\/li>\n\n\n\n<li>Miguel Molina, Bi\u00f3logo Especialista en Manejo de Vida Silvestre, Ministerio de Desarrollo Productivo y Econom\u00eda Plural. Tema: \u201cHacia el manejo sustentable del bamb\u00fa: experiencias y oportunidades\u201d.<\/li>\n<\/ol>\n","protected":false},"excerpt":{"rendered":"<p>Mesa Redonda y Programa de Radio 02-2TReuni\u00f3n Anual de Etnolog\u00eda&nbsp;Museo Nacional de Etnograf\u00eda y Folklore (MUSEF)La Paz, Bolivia Para los proponentes de esta mesa redonda, el entorno natural y sus diferentes formas de relaci\u00f3n con el ser humano, es el punto de partida para las reflexiones que la Reuni\u00f3n Anual de Etnolog\u00eda propone este a\u00f1o. [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":319,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"default","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"default","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"categories":[3,4,6,9],"tags":[33,52,55],"class_list":["post-150","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-etnomusicologia","category-instrumentos-musicales","category-medio-ambiente","category-podcast","tag-entrevista","tag-rae-2017","tag-sebastian-hachmeyer"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.6 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Ep # 06. Entre los caminos del bamb\u00fa y la ca\u00f1a hueca. Desde la diversidad biol\u00f3gica ac\u00fastica hasta su uso musical y no musical - PachaKamani-Radio<\/title>\n<meta name=\"description\" content=\"Entre los caminos del bamb\u00fa y la ca\u00f1a hueca. Desde la diversidad biol\u00f3gica ac\u00fastica hasta su uso musical y no musical.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/pachakamani.com\/podcast\/ep-06-bambu-y-la-cana-hueca-diversidad-biologica-acustica-su-uso-musical\/\" \/>\n<meta property=\"og:locale\" content=\"es_ES\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Ep # 06. Entre los caminos del bamb\u00fa y la ca\u00f1a hueca. Desde la diversidad biol\u00f3gica ac\u00fastica hasta su uso musical y no musical - PachaKamani-Radio\" \/>\n<meta property=\"og:description\" content=\"Entre los caminos del bamb\u00fa y la ca\u00f1a hueca. Desde la diversidad biol\u00f3gica ac\u00fastica hasta su uso musical y no musical.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/pachakamani.com\/podcast\/ep-06-bambu-y-la-cana-hueca-diversidad-biologica-acustica-su-uso-musical\/\" \/>\n<meta property=\"og:site_name\" content=\"PachaKamani-Radio\" \/>\n<meta property=\"article:published_time\" content=\"2017-08-24T22:17:00+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2023-05-28T11:56:08+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/pachakamani.com\/podcast\/wp-content\/uploads\/sites\/3\/2017\/08\/Afiche-2BMesa-2BBambu-2BRAE-2B2017.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"728\" \/>\n\t<meta property=\"og:image:height\" content=\"1024\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Comunidad\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Escrito por\" \/>\n\t<meta name=\"twitter:data1\" content=\"Comunidad\" \/>\n\t<meta name=\"twitter:label2\" content=\"Tiempo de lectura\" \/>\n\t<meta name=\"twitter:data2\" content=\"5 minutos\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/pachakamani.com\\\/podcast\\\/ep-06-bambu-y-la-cana-hueca-diversidad-biologica-acustica-su-uso-musical\\\/#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/pachakamani.com\\\/podcast\\\/ep-06-bambu-y-la-cana-hueca-diversidad-biologica-acustica-su-uso-musical\\\/\"},\"author\":{\"name\":\"Comunidad\",\"@id\":\"https:\\\/\\\/pachakamani.com\\\/podcast\\\/#\\\/schema\\\/person\\\/7871fc62b8c52d2ac335b123eeb73b49\"},\"headline\":\"Ep # 06. 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